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Night Sky with Exit Wounds by Ocean Vuong
One of the most celebrated poetry books of the year:The New Yorker, The Best Books of Poetry of 2016New York Times, Critics PickBoston Globe, Best Books listingNPR, Best Books listingMiami Herald, Best LGBTQ BooksSan Francisco Chronicle, Top 100 Books of the YearLibrary Journal, Best Books of 2016Michiko Kakutani inThe New York Times writes: “The poems in Mr. Vuong’s new collection,Night Sky With Exit Wounds…possess a tensile precision reminiscent of Emily Dickinson’s work, combined with a Gerard Manley Hopkins-like appreciation for the sound and rhythms of words. Mr. Vuong can create startling images (a black piano in a field, a wedding-cake couple preserved under glass, a shepherd stepping out of a Caravaggio painting) and make the silences and elisions in his verse speak as potently as his words…There is a powerful emotional undertow to these poems that springs from Mr. Vuong’s sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things.”“Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker“The language is painfully, exquisitely exact, the scenes haunting and indelible…. Highly recommended.”—Library Journal, starred review"Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016""This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation"Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub"Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate“In his impressive debut collection, Vuong writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal [more...]One of the most celebrated poetry books of the year:The New Yorker, The Best Books of Poetry of 2016New York Times, Critics PickBoston Globe, Best Books listingNPR, Best Books listingMiami Herald, Best LGBTQ BooksSan Francisco Chronicle, Top 100 Books of the YearLibrary Journal, Best Books of 2016Michiko Kakutani inThe New York Times writes: “The poems in Mr. Vuong’s new collection,Night Sky With Exit Wounds…possess a tensile precision reminiscent of Emily Dickinson’s work, combined with a Gerard Manley Hopkins-like appreciation for the sound and rhythms of words. Mr. Vuong can create startling images (a black piano in a field, a wedding-cake couple preserved under glass, a shepherd stepping out of a Caravaggio painting) and make the silences and elisions in his verse speak as potently as his words…There is a powerful emotional undertow to these poems that springs from Mr. Vuong’s sincerity and candor, and from his ability to capture specific moments in time with both photographic clarity and a sense of the evanescence of all earthly things.”“Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker“The language is painfully, exquisitely exact, the scenes haunting and indelible…. Highly recommended.”—Library Journal, starred review"Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016""This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation"Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub"Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate“In his impressive debut collection, Vuong writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity.”—Publishers WeeklyTorso of AirSuppose you do change your life.& the body is more thana portion of night—sealedwith bruises. Suppose you woke& found your shadow replacedby a black wolf. The boy, beautiful& gone. So you take the knife to the wallinstead. You carve & carveuntil a coin of light appears& you get to look in, at last,on happiness. The eyestaring back from the other side—waiting.Born in Saigon, Vietnam,Ocean Vuongattended Brooklyn College. He is the author of two chapbooks as well as a full-length collection,Night Sky with Exit Wounds. A Ruth Lilly Fellow and winner of the Whiting Award, Ocean Vuong lives in New York City.
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Woods Wolf Girl by Cornelia Hoogland
Cornelia Hoogland takes the story of Little Red Riding Hood and turns it inside out in this sensuous Canadian retelling. The woods and wolves are vivid and real, while Red herself is anything but a one dimensional girl-child. A meditation on innocence and its loss, and on the power of the green wilderness, Woods Wolf Girl uses striking lyric poetry to expose the heart of the original fairy tale.
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Sea of Strangers- Lang Leav
Sea of Strangers by Lang Leav picks up from her previous international bestselling books including Love & Misadventure, Lullabies, and The Universe of Us, and sets sail for a grand new adventure.
This completely original collection of poetry and prose will not only delight her avid fans but is sure to capture the imagination of a whole new audience. With the turn of every page, Sea of Strangers invites you to go beyond love and loss to explore themes of self-discovery and empowerment as you navigate your way around the human heart.
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Power Politics by Margaret Atwood
When it first appeared in 1971, Margaret Atwood’s Power Politics startled readers with its vital dance of woman and man. It still startles today, and is just as iconoclastic as ever.
These poems occupy all at once the intimate, the political, and the mythic. Here Atwood makes us realize that we may think our own personal dichotomies are unique, but really they are multiple, universal. Clear, direct, wry, and unrelenting — Atwood’s poetic powers are honed to perfection in this seminal work from her early career.
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Poems that Make Grown Women Cry by Anthony and Ben Holden
The internationally bestselling collection of poetry so powerful that it has moved readers to tears. “Anthony and Ben Holden remind us that you don’t have to be an academic or a postgraduate in creative writing to be moved by verse” (The Wall Street Journal).
One hundred women—distinguished in literature and film, science and law, theater and human rights—share poems that have stayed with them long after reading. The poems here range from the eighth century to today, from Rumi and Shakespeare to Sylvia Plath, W.H. Auden to Carol Ann Duffy, Pablo Neruda, and Derek Walcott to Imtiaz Dharker and Warsan Shire. Their themes range from love and loss, through mortality and mystery, war and peace, to the beauty and variety of nature. From Yoko Ono to Judi Dench, Chimamanda Ngozi Adichie to Elena Ferrante, Tina Brown, Michelle Williams, and Sarah Waters to Kaui Hart Hemmings and Joan Baez to Nikki Giovanni, this unique collection delivers private insights into the minds of women whose writing, acting, and thinking are admired around the world. Their selections include classics by visionaries, such as Emily Dickinson, Walt Whitman, and Pablo Neruda as well as contemporary works by masters, including Seamus Heaney, Adrienne Rich, and Warsan Shire, with introductions to their work as powerful as the poems themselves.
Poems That Make Grown Women Cry is a collection which represents a variety of aesthetic sensibilities and the full spectrum of human emotion. It is also a reminder of how poetry can touch minds and hearts, and how easily it will do so for readers of all stripes if they turn the first page.
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Poems that Make Grown Men Cry Edited by Anthony and Ben Holden
A life-enhancing tour through classic and contemporary poems that have made men cry: “The Holdens remind us that you don’t have to be an academic or a postgraduate in creative writing to be moved by verse….It’s plain fun” (The Wall Street Journal).
Grown men aren’t supposed to cry…Yet in this fascinating anthology, one hundred men—distinguished in literature and film, science and architecture, theater and human rights—confess to being moved to tears by poems that continue to haunt them. Although the majority are public figures not prone to crying, here they admit to breaking down, often in words as powerful as the poems themselves.
Their selections include classics by visionaries, such as Walt Whitman, W.H. Auden, and Philip Larkin, as well as modern works by masters, including Billy Collins, Seamus Heaney, Derek Walcott, and poets who span the globe from Pablo Neruda to Rabindranath Tagore. The poems chosen range from the sixteenth century to the twenty-first, with more than a dozen by women, including Mary Oliver, Elizabeth Bishop, and Gwendolyn Brooks. Their themes range from love in its many guises, through mortality and loss, to the beauty and variety of nature. All are moved to tears by the exquisite way a poet captures, in Alexander Pope’s famous phrase, “what oft was thought, but ne’er so well express’d.”
From J.J. Abrams to John le Carré, Salman Rushdie to Jonathan Franzen, Daniel Radcliffe to Nick Cave to Stephen Fry, Stanley Tucci to Colin Firth to the late Christopher Hitchens, this collection delivers private insight into the souls of men whose writing, acting, and thinking are admired around the world. “Everyone who reads this collection will be roused: disturbed by the pain, exalted in the zest for joy given by poets” (Nadine Gordimer, winner of the Nobel Prize for literature).
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Mind Platter by Najwa Zebian
From celebrated Lebanese-Canadian poet and speaker, Najwa Zebian, comes this revised and expanded edition of her debut collection.
Mind Platter is a compilation of reflections on life as seen through the eyes of an educator, student, and human who experienced her early days in silence. It is written in the words of a woman who came from Lebanon to Canada at the age of sixteen and experienced what it was like to have fate push her to a place where she didn't belong. It is written in the voice of every person who has felt unheard, mistreated, misjudged, or unseen. The book contains over 200 one-page reflections on topics we encounter in our everyday lives: love, friendship, hurt, inspiration, respect, motivation, integrity, honesty, and more. Mind Platter is not about the words it contains, but what the reader makes of them. May this book give a voice to those who need one, be a crying shoulder for those who yearn for someone to listen, and inspire those who need a reminder of the power they have over their lives.
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Milk and Honey by Rupi Kaur
#1 New York Times bestseller Milk and Honey is a collection of poetry and prose about survival. About the experience of violence, abuse, love, loss, and femininity.
The book is divided into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. Milk and Honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.
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In Fine Form by Kate Braid
In the decade since the publication of the first edition of IN FINE FORM, there has been a resurgence of Canadian poets writing in "form" – in sonnets and ghazals, triolets and ballads, villanelles and palindromes – and formal poetry has become more visible in books, literary journals and classrooms. The first edition of this anthology was called "groundbreaking," "a paradigm shift" and "a landmark text." Since then, it has gone through several printings and been widely used in classrooms at all levels from elementary school to university, by writers who want to try something new, and by readers eager to explore a whole other side of Canadian poetry.
Of course, Canadians have always written in form, and some of its early practitioners such as Charles G.D. Roberts and Robert Service are again represented here, as well as more recent writers such as PK Page, Margaret Atwood, Fred Wah, Rachel Rose, Christian Bök and George Elliott Clarke. The new edition includes 51 new poets including Nicole Brossard, Rob Taylor, Renée Sarojini Saklikar, Kyla Czaga, David O'Meara, Sheri-D Wilson, George Bowering, Lillian Allen, Marlene NorbeSe Philip, Mary Dalton, and also explores exciting new forms not acknowledged in most other anthologies including spoken word, prose poems, doublets, found poems and pas de deux.
IN FINE FORM SECOND EDITION, is an anthology that continues to break new ground, a thrilling collection of more than 25 forms and 180 poems arranged by section, one for each form, with a brief introduction to the form's history and variations. An extended essay explores common poetic terms and technical devices. Surprising and exhilarating, here is a showcase for some of the best poetry this country has produced.
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Dog Songs by Mary Oliver
“The popularity of [Dog Songs] feels as inevitable and welcome as a wagging tail upon homecoming.” —The Boston Globe
Mary Oliver’s Dog Songs is a celebration of the special bond between human and dog, as understood through the poet’s relationships to the canines that have accompanied her daily walks, warmed her home, and inspired her work. Oliver’s poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision, these observations become higher meditations on the world and our place in it.
Dog Songs includes visits with old friends, like Oliver’s beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver’s life merge as fellow travelers and as guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.